1984 - JOHN WAITE SOLO - NO BRAKES

No Brakes 1984

John Waite is a musician to the core which detains him again to simply chuck it all. On the other hand he enjoys the temporary retirement that grant his new management and EMI. „They treated me with much respect which was good for my self-confidence“, he remembers.

Dropping through in New York, John now enters Los Angeles. The last months´ exertions and annoyance is going to be rewarded finally - „Missing You“ hits like a bomb. The melancholic love song catapults John Waite over night to the top of all charts and it will be one of the biggest hits of the 80´s. On September 22, 1984 „Missing you“ scores number One at the USA single charts, followed by „Tears“ and „Restless Heart“, but: „It was obvious that we couldn´t beat that. We called the radio stations not to play it! In vain. It was too late and we were powerless on that point. Would they have decide for ‚Tears’ or ‚Restless Heart’ first, the whole thing would have taken a different direction. But hey! What do I complain for? I was Number One!“

Notable is the history of origins of that deeply moving chart breaker with the conflicting statement. It came into being just shortly before finishing the album „No Brakes“. „It took me merely ten minutes to write ‚Missing You’“, states John. „Me and Chas Sandford were sitting in his studio. He had some instrumentals on his tape machine and he took the headphones and I took the microphone and I started with
Every time I think of you. I always catch my breath…’“
So the old BABYS song „Every Time I Think of You“ has been honoured a second time. „I took this line just to get underway“, explains John. „I didn´t intend to continue on that.“

„99 % of what you hear came into being right in that moment in the studio behind the microphone“, says John. „It was one of these magic moments. When I had finished the song and stepped back from the mike I thought: 'God, that´s exactly how I feel.' It wrote itself. It really did. It wasn´t planned and it happened on the spot. It simply came out. I didn´t change a single word.“

According to John, „Missing You“ describes feelings that are universal. „You´ll find these feelings in each stratum of society. People can find themselves in the lyrics“, he analyzes. „Missing You is thought the other way round. It says
I ain´t missing you at all but it means exactly the opposite. Everybody knows it. You fool yourself. But you don´t wanna admit.“ The sincerity, John believes, might be a further reason for the huge success of that jewel. „I suppose it was my best shot because it is absolutely true. A sad matter actually being that honest. But I think that´s why it is so good. Because I know that it is honest. A friend of mine once said: 'When you speak from the heart people listen from the heart.'“ Wow. I´d like to know who this friend was...

Photo Eva B. Louis

 

„Saturday Night“ is thought as a confession of veneration to the London Marquee Club (left). „Memories“, John ponders. „The Marquee Club, Soho... it belongs to my early influences when I was in different bands. David Bowie once said he gets a strange feeling when he walks down the street where the Marquee is. That applies to me, too, when I´m there. It´s an odd feeling. Like an echo. Like a wink from the past... as it would blink at me. Hello past.

 

 

 

Courtesy of www.musicmirror.de

„Restless Heart“ patiently slumbers to itself before John takes it out. „I suggested it to THE BABYS but they laughed at me“, he grins. „It´s a country song. It didn´t fit to THE BABYS. It was the wrong song at the wrong time. So when I was looking for musicians for the „No Brakes“ album I met Gary Myrick. Gary is from Texas and this time it was right. Like a hint from above.“ THE BABYS, however, played it once in a while at some concert.

The Album „No Brakes“ gains worldwide success and is sold a million times. (#10 on Billboard album charts). It even scores platinum in the USA. „Missing You“ is going to be released together with „Tears“, „Restless Heart“ and „Euroshima“ as a 12“ EP Special Version. That 4-track EP, title „For Japan Only“, is very rare and almost impossible to get.

So luckily John Waite doesn´t belong to those that lose their head in some megalomaniac euphoria. „It´s interesting to have a Number One hit though but it isn´t the measure of all things“, he states with remarkably self assurance. „I don´t jump out of the window with a bottle of champagne in my hands and do all these crazy things I maybe would have done some years ago. I don´t care about fame, I don´t wanna be a superstar. I am no rock-star. I´m a rock-singer and not better than anybody else. Just a singer.“

„Of course, it´s great when people like my ideas. Though, the problem is that I am on stage and the audience is looking up to me. But I´m not cruising around with a sports car. The only difference between me and the audience is the microphone and the best of success is being able to play live. You should always compete at your own standard. The most important thing is that you´re okay with what you´re doing.“

„Success is really a wonderful thing, but...“, the humble Brit-guy summarizes soberly. „... I think the good things in life are the simple things. The honest things. To specify that - when the lights go out at night and you´re all by yourself, well - that´s who you are. Not more and not less. I get pigeonholed as melancholic because I´m singing sad songs. But I´m really a happy guy!“Photo Ross Halfin

The further course of his career which he controls himself, proves that he doesn´t stick to cants, and the development into a serious artist that isn´t willing to follow the beaten track and who doesn´t want to get lost in the mass of mainstream has come oh so clear long ago. John Waite has distanced himself from synonyms that name him a superstar or even a teen idol.

But first of all he enjoys -- carefully -- the sunny sides of business, although at the same time he´s aware of the unavoidable shady sides and the bitterness about certain infestations ....
„… suddenly they´re all back again“, the self confident redhead vents his grievances. „It´s unbelievable how many friends you do have then. They knock on your shoulder and say, 'Buddy, we always knew you´re going to make it.' I asked some of them, 'Really? Where have you been at that time?'“ Experience figures he had learned to handle during his meanwhile ten years lasting career and which he shares with a lot of his liverymen.

Another scourge of fame is the imperative pressure that the music industry tries to bring to bear upon their clients, and the liabilities with which many artists agree unwilling nevertheless. John Waite, however, belongs to those that are not inclinational to subordinate unquestioningly. So his forwardness maneuvers him right off Saturday Night Live, one of the most famous shows in America, to which he is invited to perform two of his songs.
The producers want to hear -- of course -- „Missing You“, but John thinks that this song meanwhile had enough attention and he wants to sing another song. But the bosses claim, „No. We want 'Missing You'. Bring this first.“ John is determined to do his own thing and to the directors´ anger he starts with the sparkish „Saturday Night“, which opens his album „No Brakes“. The producers are pissed, the scheduled second song is going to be cancelled without substitution and John gets the chuck. Well, he can live with that...
The undesigned link to the name of the show, which would have been a nice side-effect is ignored by the „Saturday Night Live“ direction. It seems that it´s more important to them to demonstrate their authority and in fact that it wasn´t their own idea they refuse each discussion at the outset. (That´s pure hypothetical, of course. Annotation Petra)

After the long lasting ignorance of his home John Waite is finally able to hit the well deserved strike with „Missing You“
at the English „Top of the Pops“. „That was a blast“, Mr. Waite rejoices. „It felt really good being acknowledged in my home country.“ Well, he had struggled for that for a long time.

To the pleasure of his fans, John appears on the American soap Paper Dolls (German title: Karussell der Puppen), which is cast, among others, with Nicolette Sheridan (Photo), Morgan Fairchild, Brenda Vaccaro and Mimi Rogers. He plays himself, rather...

„...a TV version of myself.“
The soap tells about fashion, models and intrigues. Last of it is tremendous popular in the 80´s and for four sequels (5, 6, 8, 9) John Waite plays the boyfriend of one of the leading actresses, Nicolette Sheridan, herself impersonating an adolescent fashion-moppet whose mother/manager (Brenda Vaccaro) turns out to be an over motivated, dictatorial fury who knows how to blight that young love insidiously. (btw, John and Brenda are a pretty interesting imagination of a potential pair of mother in law/son in law...)

„I was on that point where music reclusively wasn´t enough for me“, John confesses. „It was a wild life and it was fun jetting from one set to another. I felt restless, living out of the suitcase and ready to do anything. I felt fantastic. It was really interesting. I´ve ever been curious about what would happen if somebody shouted 'Action!'“

He further goes on:
„I was offered a serious film couple of years ago with Harvey Keitel. I had just finished 'Ignition' and I was exhausted. He asked me to read the script and I said that I had never really thought about doing a movie. It wasn´t that I wasn´t very confident but I couldn´t deal with it. I used to look at acting and sort of dismissed it. It´s very intense and you´ve got to be very, very together to do it. You have to be more together than you have to be when you´re on stage. It´s the same kind of thing, but you have to stop being yourself when you´re acting. When you can´t give 100% you should let alone. It is too serious. So when the chance came up to do Paper Dolls I turned it down for two weeks, then I thought, 'Why not? It´s going to be fun.' But it´s just a whole different world. I´d like to do something that´s challenging, and that requires a lot of discipline and dedication.“

The movie which is mentioned by John is Cop Killer and it creates some confusion because it is released with three different titles: „Cop Killer“ for Europe, Order of Death for Canada and Corrupt for the USA. The supportingg role of the slightly touched psychopathic cop killer finally goes to the nevertheless charismatic, carrot headed John Lydon, aka Johnnie Rotten, who shocked the nation in the 70´s with the legendary Sex Pistols, and in the 80´s with PIL (Public Image Limited).

„Ignition“ is going to be re-released with new cover layout. The energetic „Change“ is taken for the soundtrack
Vision Quest (funny enough the German title, it´s „Crazy For You“). A typical movie of the 80´s that tells about ambitions and love life of a young sportsman. Matthew Modine is that sportsman, Linda Fiorentino his adored girl.
„Change“, however, turns out to be MTV´s favourite child.

John is extensively touring with the No Brakes Band as an opening act for Scandal. Beside John Waite the No Brakes Band is: the eccentric guitarist Earl Slick (Ex-Bowie and Ian Hunter), Bowie-bass player Carmine Rojas, drummer Alan Childs, and keyboard player Tommy Mandel (temporarily Dire Straits, photo from left to right).

A live video is going to be released that spectacularly captures the intenseness and the excellent potential of the whole band. Unfortunately there´s no other official John Waite live video existing as yet.

 

Photo Ross Halfin

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