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CHALK FARM...
... is the name of his first real band, called after the location of London´s Round House.
CHALK FARM
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On the 12th of March 1971 my younger brother John made his first public appearance at the Royal King´s Arms in Lancaster.
He was seventeen and playing bass and singing in the hastily cobbled together
CHALK FARM. It was a dance in the hotel´s
ballroom for the art school John attended. He´d managed to get himself elected as Entertainment Secretary amongst
his fellow students after pointing out that there wasn´t one, and why shouldn´t the art school have rock concerts like
the local university did?
The first thing John did in his new role was to come up with the name CHALK FARM and then book CHALK FARM for a
Spring Twist. I got roped in on guitar and asked Derek Fitzpatrick, the wild
Irish drummer who played with when
I was in the Mind Machine, to play the drums. His brother Gerald agreed to roadie with The Mind Machine´s two ton
ex-post office van and all their gear. At this point John didn´t even own an amplifier! One of John´s friends at art school, Allen "Happy" Harper, printed some posters and another, David "Feggers" Ferrington took some promotion photos (one of them above) in Morecambe with a borrowed art school camera. John produced some great silk screen prints in a variety of colours of the Pier photo. All we needed were some numbers! We worked out „Hey Joe“ und „Red House“ by Jimi Hendrix, „I Hear You Calling“, Ten Years After, „Night Life“, B.B. King, „Dust My Broom“, „Mean Mistreated Man“, Elmore James and „Fire and Water” by Free, which gave me the most trouble. Although it was a dear favourite of John, I´d never heard it. John tried to show me how it went on the bass but from single bass notes it´s hard to get a proper idea of a song other than basic chords. „Dust My Broom“ is the most evocative of John and the kind of music he was into at that time. The King´s Arms (Photo below, newer photo) is in Lancaster town centre and we were soon unloading the van round the back into the stage door of the ballroom.
I noticed one of the bar staff, a tall, thin, plain looking spinster with black hair and a long nose sniffily eyeing up the Mind Machine´s tons of equipment. Times might have been changing, but not for the King´s Arms. The bar staff might just overlook accordion and drums at a wedding reception, but something about her frowning expression promised trouble.
We set up the gear and as the art students started to fill the room I looked over to John who was sitting quietly alone.
He was lost in great introspection, and I wondered what was going through his mind. Now he was about to make his debut
playing bass and singing! There are no passengers in a three piece rock band and John was going to have to be I felt for John when we cracked off with „Rock Me Baby“. Though I´m not much of a singer, I sung the first number to get us underway and John didn´t seem too fazed. Nobody danced. Not that anybody ever does first thing. Most people need a few beers before they feel like boogying. As we finished Rock Me the audience clapped and all eyes were expectantly on John. Counting John and Derek in on four, I took a deep breath and launched into the opening triplet chords of „Dust My Broom“. What happened next amazed me. Within seconds, the whole room seemed to be on it´s feet! Those who weren´t dancing were stood in a circle round John watching his every move as he sang and played his heart out. At the end of „Dust My Broom“, just as things seem to be going o.k., amongst the applause, we got the first complaint about the volume. I´d been expecting her and I promised the long nosed barmaid that we would indeed turn it down. We continued with a very slow and soulful version of „Red House“. John´s voice filled the ballroom as Derek and I played along quietly behind. Apart from Night Life it would be the only slow blues we played that evening. The nascent CHALK FARM continued full tilt.
We played out the rest of the first set and Long-Nose almost became part of the band as she constantly kept coming at me
after each number and complaining. John seemed oblivious to her and was enjoying himself as his confidence grew.
His voice got even stronger and his playing more adventurous and when we took a break he disappeared amongst well wishing
friends, all of whom were intent on buying him a drink. I got a visit of the hotel manager who told me in no uncertain
terms that he wanted the volume reducing. Again I agreed to the demand. The Spring Twist didn´t go full course. Someone, I can´t think whom, called the police. They arrived in front of the stage with a chatter of two way radios and a strong smell of blue serge and industrial strength disinfectant. A very large police sergeant viciously pulled the plug and made it abundantly clear to us what would happen if it was to be replaced. They left to the booing of disappointed art students. Long-Nose folded her scrawny arms and smiled triumphantly at the now silent CHALK FARM. At least everyone had had a moment happiness that evening. The Spring Twist might be over, but for John things were only just beginning..." Thanks Very Much, Joe Waite for that great insight! „It lasted for about a year“, remembers John. „Then I joined another band called... ...GRAF SPEE. There were no really good local bands“, John remembers. „We just found out about each other and got together to jam.“ Drummer George Jackson, a friend of John´s brother Joe and a Lancaster art student as well, and guitarist Chris Phillips from Kendal / Lake District are GRAF SPEE, when John joined them as a bass player and singer. „Our music was very bluesy“, he says. „Humble Pie, Traffic, sort of thing. It was the first real time I wrote songs. We wrote 90 % of our own stuff.“ GRAF SPEE went fifty miles out of London to play a gig. John: „I remember very well. Sitting in our van, freezing cold at five in the morning. I´m glad all that´s behind me.“ About one year later the lanky Brit guy has gained another musical experience... After 4 years John Waite finishes art college and leaves his hometown when local police wrongly accuse him of a jewel robbery. In London he joins the jazz / rock band... |